Published on 8th August 2022
by a warship commander:
border guard’s expletive
Myron Lysenko
at the edge of the village
come to an oak much older than me
that’s where I’ll seek advice
– Kit Kelen
tenant 1 planted the couple while tenant 2 and 3
nurtured their growth and here I stand, tenant 4
before their arthritic leaves & brittle branches
unlike the owl and the pussycat they are stuck
too close and deep rooted with a stubborn sense
of belonging to a land they’ve failed to interpret
once gardens were ballrooms of sweet & bitter
fruit throughout Melbourne’s Northern yards
expecting Mediterranean weather to migrate
now these replica orchards are starving for genteel
seasons, expecting to be washed with lukewarm
hose each night, even when sky drizzles or sprays
with no strength to stretch their limbs, with no
plump, sun-kissed balls of juice for birds & jam
with no smell for dressed salads or fragrant tagine
they offer a time-warp of cravings & nostalgia
in the back yard, encircled by concrete and brick
ignoring the bottlebrush with its bright red offers
by Angela Costi
Where the bees rest where the butterflies play
“What we most need to do is to hear within us
the sounds of the earth crying..."
- Thich Nhat Hanh
from October the trees are all betrothed each
to the gardener in nets white gauze
figs peaches sequestered from the busy beaks
and teeth of bats and birds
the day sultry as a girl in her slip swimming
waiting on the Southerly Buster
cicadas heat from the city a brown bubble popped
by flat-iron cloud-banks
high and sharp as the beaked head of a kookaburra
tall sky and
gratefully I'm small
up the hill
march the white
agapanthus forcing genetic breaks
onto our purple beauties scrambling the misty blues
to hybrids there is no
one garden in my street
I see the Ice flower
nipped out on a beach walk mini red-fringed suns
succulents rescued from places where old age gave way
to builders' aspirations pieces of old friends
the Mentone red geranium that Gaagang saw from his pram
Hoya from the balcony back at the flat the boys had
in Drummoyne your tree
a pencil planted just before
you died
begonias like Mum's pelargonium from The Redemptorists
a fine piece of Menken's building lotus out of farm dams
mingle a floral beer garden with tin peacocks
and galahs turmeric galangal Vietnamese mint
vanilla orchid mustard greens
are you hungry thinking how to mow around
the condiments and if you've ever seen a chicory flower
mauve and delicate as tissue
I see a garden built by birds by bats
bullrushes
flown in yonder from Ash Island
White Cedar loquat air mail
in a sweep of feathers
the odd drop of oyster shells
beside the Jizo statue
bark depends from gum tree piling around roots
mandarin and finger lime lemons parsley
all engrossed with weed with blue tongues
pushing up in pots in tubs in cisterns
anywhere
these tiny hair-drawn feet
can tread
inviting Angela Costi
fragments revised from ‘the village is a garden’ at
Mesana
Paphos District,
Cyprus
and I have something to tell you
which not even I must hear
–
Yiannis Ritsos
1
such an honest
morning
sun has washed
white
what is that tiny
bird swings through
under vines in a
courtyard glimpse?
it's an all-day
rooster
proclaims from tin
shade
tiny lizards
to whom I've had
no formal introduction
are faster than
call their
colour
a breathless
hill's
good for the heart
I go a little way on
at the edge of the
village
come to an oak
much older than me
that's where I'll
seek advice
2
the olive
abundance,
peace and glory
what lives in the
olive
is just this
season
a certain flit of
feather, fur
say opportunity
wide boll of gnarl
our ages blur
flutter adjustment
in the branches
what lives in the
olive
a thirst set aside
light throws
itself at us
the old ones
writhe themselves around
all cleft
and strong with
standing
like a dare to
wait
and taste the
fruit
it's bitter now
but you can have
my patience
let the blade be
with the branch
let the shape be
minded
sing
and leaf
is song too
a hill lives in
the olive gnarl
whole skies have
gathered
rain fell
let this bark be
shot of sun
twig fall to
winter fire of night
the tree so many
lives
it's accident and
cause we're here
a wrestle with itself
frozen yoga seems
because we can't
see time
tree's made of
bend with the
breeze
as often laden
think calmly as
the tree
3
a picture of
the stillness
a gnarl of stump
could be alive
points its all
directions
saw my first snake
today
dusty black yay
long
add this to the
list
of those on the
way
flies to me
gathered
as movement as
sweat
do I deny them
hope?
surely I will lie
down to die?
a breeze lives in
the shade
flutter and the
tree takes off
I walk like a
ghost through this knowledge
nobody knows I am
here
4
rising
to all occasions
pigeons explode
from an ancient tree
this happens now
and then
there
are other days
over
the skysill
other
worlds
deep
in the heart
This Festive Season
For Peter Wells
‘you will always be/ that sole cigarette ember
on a summer night/ blending into the wilds of the garden
you planted behind a sentinel of spiders’ — Morgan Bell
Top heavy, agapanthus, heralds of the season
kiss the ground at the front of our house
after so much unseasonal rain and seasonal sunshine.
Next door has blue ones and ours are mauve
both virginal, reminding me of my husband’s late aunt
who gifted the flowers over thirty years ago
when the house was new. She was the one who shocked
her granddaughter, uninitiated in religious life
when she lay prostrate at Christ Church Cathedral.
On the western side Christmas colours of green and red
abound, including firecracker or cigarette plant.
Grown taller than I am, there’s money plant
if you’re superstitious, or jade if you romance.
A burgundy crepe myrtle my best friend gave as a miniature
thrives, something my friend couldn’t manage.
Along that side there’s grevillea robusta, bottlebrush
native frangipani, macadamia and multiple tibouchina, masking
the view of Munibung Hill. Recent weather caused
the Havana cigar plant to creep horizontally on the path
impenetrable for the aged and unstable. There’s a place
for us though without leaving the house to partake
in shinrin-yoku, the Japanese art of ‘forest bathing’.
From my kitchen chair I look across a covered deck, a walkway
and melaleucas that fold and unfold to acreage of eucalypts, so tall
they dissolve the horizon. This year a poinsettia glows in a bulbous
terracotta pot. Following the sun’s path throughout the day
allows a sharpening of senses and calm descending.
Left alone, nature carouses. Scruffy needn’t equal ugly.
Sometimes heaven touches earth and when it happens here
it’s a blessing for randomness, since the contrived are unfavoured.
Jan Dean